Sony Announces Cybershot HX1 (Preview)
Sony Cybershot HX1 Camera Announced Today
March 2009, Carl Garrard (Update 3-2 Cybershot HX1-Product Images)
Our first impression with the Sony Cybershot HX1 is that it seems Sony is aggressively addressing image quality issues that quite frankly needed improvement in the Sony H50. By not increasing the resolution over its predecessor (hooray!) and including "G" elements into it's lens, I anticipate this should help matters considerably, yet we will need to test this camera to prove these upgrades do in fact make a difference. This will be the first time a high end Cybershot has strayed from using a Carl Zeiss lens that I can remember. Needless to say this new camera is very interesting to us here, and subsequently we will be reviewing our first Cybershot to see how well these "Alpha" additions add up to its overall performance. We will give many more details about the camera as soon as they are available to us.
Here are some technical specifications from Sony on the HX1 "G" Lens
The Sony Cybershot HX1 also uses two of its scene modes (Twilight and Anti-Motion Blur) to take several overlapping images and then combines them automatically in-camera... add some tricky processing and this process apparently helps to reduce high sensitivity image noise by a claimed 50%. This is an interesting feature that I think if performs as advertised will be very welcome among Cybershot enthusiasts.
One of the features that I particulary paid attention to during the press conference and am really excited about is the Sweep Panorama Mode. Sony has introduced a feature that works like no other. The information given to me thus far on this mode is a bit vague, yet I will share with you what I know so far. Instead of taking several different shots then having to stitch them afterwards in post processing, the Cybershot HX1 takes one wide image and processes it internally to remove any distortions prior to viewing, just like a regular image. The Cybershot HX1 can be set to take the image from left to right, or right to left for a landscape shot and from top to bottom, or bottom to top for a portait shot. Below is an illustration of the Sweep Panorama Mode, showing the various angle of coverage, from both a landscape and portrait perspective. Pretty nifty trick if you ask me.
Sweep Panorama Mode Illustration
Clearly, Sony has been working hard on redefining their flagship superzoom camera, and obviously needed to stay competitive in the highly popular segment of compact hybrid cameras. Set to sell for a MSRP retail price of $499.00, the Cybershot HX1 has a lot of value going for such a seemingly advanced package.
Here are some of the main specifications of the Sony Cybershot HX1
We are set here at AlphaMountWorld to do our first Cybershot Review of the HX1. I feel that because Alpha technology is being introduced into the HX1, it could serve as a compelling backup camera or travel camera our readers might be interested in. I am personally interested in seeing how this camera performs as well. We will have more information on this camera as it comes to us and will include all of it in a final review.
Here are more images of the HX-1, and we will continue to revise our Preview as more information is available to us.
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SONY PRESENTS FIRST CYBER-SHOT CAMERA
WITH SWEEP PANORAMA TECHNOLOGY
LAS VEGAS (PMA #F171), March 2, 2009 – Sony is spotlighting its first digital still camera to feature sweep panorama technology here at the Photo Marketing Association confab. The new HX1 Cyber-shot model can take 224-degree panorama shots in one easy press-and-sweep motion.
It is also the company’s first Cyber-shot camera to use the exclusive 1/2.4-inch Exmor™ CMOS sensor technology. This technology allows it to achieve burst speeds of 10 frames per second at full 9.1 megapixel resolution in continuous burst mode.
Setting it apart from most digital still cameras, which use an electronic shutter to achieve high speed, the HX1 unit has a mechanical shutter that helps reduce distortion when shooting a moving subject.
Compared to images shot with traditional sensors, the HX1 model takes clearer images with about 50 percent less noise when in handheld twilight or anti-blur modes. It is also the first Cyber-shot camera include a Sony G lens and 1080p HD movie clip recording capabilities.
“Traditional CMOS sensor technology provides higher shutter speeds, but we are using what we call an Image3 system that combines the best image, sensor and processor,” said Karim Noblecilla, senior product marketing manager in Sony Electronics’ Digital Imaging Division. “By combining this sensor with a high-quality Sony G lens and powerful BIONZ™ processor, we are able to create solutions beyond fast speed that helps consumers get better pictures.”
Incorporating on-chip A/D conversion, which minimizes image degradation that can occur during analogue processing, Noblecilla said the Exmor CMOS sensor delivers outstanding images, reduces noise and can continuously shoot at a high speeds.
Clear Images in Low Light or for Moving Subjects
Compared to cameras with traditional sensors, the HX1 model has two scene modes that significantly reduce noise. Using the high-speed shutter Exmor CMOS sensor technology, the new model takes six shots within a fraction of a second. Combined with the power of the BIONZ imaging processor, it immediately superimposes them into one picture. The camera calculates the position of objects in each frame and composes the sharpest picture possible, resulting in clearer, sharper images.
The two modes that use this functionality include hand-held twilight and anti-motion blur. For difficult shots in low light, the hand-held twilight mode results in clearer and sharper pictures without the need of a tripod. Anti-motion blur uses High ISO to reduce blur especially in dimly lit environments.
To reduce blur, the camera detects if a person or object is moving, or if the camera is shaking, which is likely when taking a telephoto shot. When it superimposes the images, the camera captures the moving subject or object from one of the six shots. It takes, combines and composes the rest of the image using the six shots. This reduces blur on the main subject and results in a sharp, clear background.
Sweep Panorama Technology
Capturing wide landscapes, church spires or skyscrapers is as easy as “press and sweep.” Sweep panorama mode lets you reach beyond the traditional wide-angle lens and capture breathtaking shots. With wide and ultra-wide settings and horizontal or vertical directions, sweep panorama mode can take up to 224-degree horizontal or 154-degree vertical shots.
Using the fast-speed Exmor CMOS sensor, the camera continuously shoots full-resolution images at a high speed. Using the BIONZ imaging processor, it automatically stitches the pictures together to create one stunning panoramic photo. The maximum resolution is 7152 x 1080 (ultra wide horizontal).
“This panorama mode is so seamless that it removes the guess work,” Noblecilla said. “The camera indicates where you are in the degree range, so you know how wide you can shoot and stitches the photos automatically. It calculates and aligns pictures for you without using additional software.”
1080p HD Movie Recording
The HX1 camera captures movie clips in 1080p HD resolution, and a built-in stereo microphone records crisp, clear audio. The camera’s wide 20x optical zoom is also available while shooting. When set to HD movie, it records at 30 frames per second (1440 x 1080). The camera uses the high-quality, high-compression MPEG4 AVC/H.264 format. Other recording options include standard-definition video and VGA.
The camera also has HDMI™ connectivity via supplied HDMI accessory (cable not included) so images can be shared in high definition on an HD television set. MPEG4 AVC video recording allows you to view footage on a PC and upload it to the Web.
Sony G Lens
The Sony G lens is optimized to complement the advanced image sensors and image processing technology in Sony’s cameras. The HX1 camera features a 28-560 millimeter f/2.8-5.2 wide-angle lens with 20x telephoto range. With the combination of this G lens and sweep panorama mode, the camera can cover almost any telephoto and wide angle need.
Containing a six-blade aperture, the G lens produces beautifully defocused backgrounds with a soft, natural feel. A-spherical lens elements and elements made from extra-low dispersion glass combine to minimize chromatic aberration common to high-magnification lenses.
Intelligent Auto
Like many of Sony’s new cameras this year, the HX1 model has the convenient and powerful intelligent auto mode, which combines Intelligent Scene Recognition (iSCN), Optical SteadyShot™ and face detection technologies. It recognizes scenes and lighting conditions within one-thirtieth of a second, and then changes settings. This produces clearer images with more natural skin tones, reduced red-eye, fewer closed-eye shots and less overall blur without compromising image quality.
The iSCN feature detects up to eight scenes and automatically changes settings that will apply to the scene or lighting conditions. With the iSCN Advance feature, the camera takes a second shot when low or backlight is detected, letting users choose the best picture.
With face detection technology, the camera will adjust the flash, focus, exposure and white balance producing more natural skin tones and reducing red-eye. Face motion detection identifies a moving subject and adjusts the ISO to minimize blur. In conjunction with iSCN, the camera takes two pictures simultaneously and saves the one in which the eyes are the least closed.
A new selected-face memory function registers one face (selected by the user) as the main face and adjusts focus, exposure, flash and white balance accordingly. The camera remembers the face every time that face shows in the frame.
Additionally, the camera comes with Smile Shutter technology that helps capture a smile the moment it happens and dynamic range optimizer (DRO) technology that adjusts for contrast.
Pricing and Availability
The Cyber-shot DSC-HX1 camera will be available in April for about $500 and pre-sales will start in March. The camera and a range of accessories will be available online at sonystyle.com, at Sony Style® retail stores (www.sonystyle.com/retail), at
military base exchanges and at authorized dealers nationwide.
Stay tuned for our final review of the Sony Cybershot HX1!
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very interesting
I had resolved for the time not to look at or buy a zoom camera.. But here comes Sony with the Cyber-shot DSC-HX1.. Could be a game changer for the zoom market.. Can't wait to see one now..
Is this model intended as a
Is this model intended as a proper replacement for the H1?
Replaces the Cybershot H-50
The only H series will be the H-20 now.
Carl
I'm ancy to try this:
Take two "Sweep" pano's stacked on top of one another, then combine both in PS later.
7512x2160 resolution. Thats ridiculous!
Carl
We need a moon shot with this camera too :)
The specs for this new Sony actually looks pretty impressive.
Just some questions for the review later...
How good/bad is the shutter lag?
How effective is the contrast detect for the focus?
Does it have a connector for an external flash (via cable)?
How fast/well can it focus at from "200 mm" to "560 mm" ?
Thanks.
(I already have an Alpha... not that I'm about to buy this..:))
9 MP?!?
A 9 mega pixel camera launched in 2009?! I can't believe I'm reading that.
Sanity has finally been restored!
Thanks Phil for the suggestions
I can answer one already, pre focus shutter lag is .008 second<----EDITED (literally none). I will give you my best info on your other suggestions in the review :).
pgtips- Yes its amazing they didn't increase the resolution over the H-50 it replaces, both are 9.1 mp.
I like that this model has a CMOS sensor, and uses two of the scene modes to "double shot" and combine them in the camera removing much of the noise. Can't wait to put it through its paces to see how well it does.
Carl
Shutter Lag
Thanks Carl. That 0.008 second is super fast like the speed of electron. What about without pre-focus?
(A Sony cell phone camera has like a 2 or 3 seconds shutter lag. My wife was pointing that out to me the other day. Or maybe she's hinting she wants a phone upgrade. Gotta get her that new 12 megapixel Sony phone. 1/2 :))
Looks decent on paper. At
Looks decent on paper. At last sony seem to have put some effort into the cybershot range. I have heard a few downers though, no raw, no hotshoe and no swivel lcd. Time will tell if they matter or not.
Sanity Restored? Finally! :)
Thats the best thing I have read today :)
Could it be possible that they have realized that pushing too many pixels is going to make things worst? Panasonic DID with their LX3 and now Sony ;)
Bravo!
And did no one noticed that it has a "G" lens! That is some thing to look out for...
Can't wait.
Cheers,
Faisal.
Agree on two of those Barry
The LCD tilts quite well up and down, I've used the one on the H50 and I liked it even more than the one on the A300/350. Also the design itself affords a larger panel than the other tilt out designs. I'd prefer to have a bit larger panel. I'd have liked to see at least 460K pixels on this panel though, but oh well.
Not having raw is a downer to me, agree there. Just knowing that you can gain an average of 1-2 stops of DR on a raw image alone makes me want all cameras to have a raw format.
On the flash hot shoe, looks like its Alpha or broke.
Carl
New Alpha contrast AF...
All this features I think the ew Alpha cameras will have contrast AF, the new rumors about new DT lenses (and the new 28-75mm SSM) could indicate that...
DSC-HX1 FILTERS
Thanks, Carl, for everything. I've been reading & acting upon your reviews for years. Now, with the HX1, I have finally signed on as a member. I will try to stay only to the point & not be a pest. Hello to everyone.
Regarding the very interesting DSC-HX1, do my eyes serve me right? I can discern no provision for front mount filters in this lens. Can that be correct? Oh no!
:o
Hi Willy and thank you, welcome aboard
Looks like filters will be available through using a filter adapter, you are correct the front of the lens does not have filter threads (most p/s cams don't which is a shame).
Carl
This camera borrow...
... technology from Alpha, why the Alpha can't do do the same? Imagine Alpha with 1080HD Video Recording, Face Detection, Seep Panorama Technology, or even the awesome 10pfs. I not know much about this technology but they pull out 10pfs from the same CMOS processor, this is really nice to see it on some Alpha model. This camera maybe show us the New Alpha technology in the future? Only the time will tell.
H.
I agree...
The CyberShot T900 has a LCD 3.5" HD, the new HX1 can make noise reduce through 6 image, this coud be in a new Alpha...
Yes but does it raw
I have not been able to see anything that it is capable of raw shooting. Does it do raw?
No Raw shooting
:(
Carl
raw deal
:( indeed...maybe it is not that critical for this camera?
It wouln't be if
Sony introduced another model in Cybershot that did have Raw :).
But seriously that all depends on the market. Right now there is a generation of Cybershot photographers wanting to move up to the next level past Jpeg, and a DSLR may be too intimidating for the total investment.
Considering the market, imo, Sony should have a Cybershot that has raw.
Carl
Perhaps...
Well perhaps the DSC-HX2 will
How's the EVF look?
Carl, I shoot an old Pany FZ8 and am always looking for my next superzoom. This HX1 with tilting screen and what appears to be a nice and reasonably fast lens really has me excited (easy to do after reading your review and the promotional material).
With regard to the EVF, I would really want something at least as big/bright as the FZ8. Any impressions on the EVF on the HX1?
Thanks.
Peter F.
RAW and Dynamic Range
Carl and others,
I too would want RAW. But my experience withthe Pany FZ8 and the Canon G9 is that you can not get an extra 1-2 stops of DR with RAW on these "small" sensor cameras.
I have processed both RAW and Jpeg with Lightroom. Lightroom seems to help me make identical post processing adjustments in RAW and Jpeg, and by examining and comparing the histograms I really don't see much difference. Maybe 1/2-stop???
HOWEVER, the biggest difference (within Lightroom anyway) is that it is far easier to remove noise in the RAW file. For that reason, I always shoot RAW if at ISO 400 or higher. With a ISO 400 jpeg I have to use a photoshop plug in to remove the noise and I feel it degrades the image quality slightly. So, my view is that with small-sensor camaras the advantage of RAW is in post processing noise reduction...
Peter F.
DSC-HX1 FILTER DELEMMA
Regarding the DSC-HX1, I remain dismayed at the prospects of using lens front filters. Having read every word, and seeking every depiction of this interesting camera on the internet, I see difficult obsticles to lens front filtering. Noted of course, is the lack of lens front threads. Also noted - none of the sites I've seen, including SonyStyle.com, make any mention of a lens adaptor or a lens hood included in the box with this camea, as is done with the H10 and the H50. Rightly so I believe, because this 20x lens has a very long excursion and extension when at maximum telephoto (presumably). Any sort of lens adaptor or hood adaptor that would be long enough - unless exceedingly wide - would certainly cause servere vignetteing at wide angle.
It seems probable to me that Sony has chosen to omit lens hood, lens adaptor, filter adaptor, and provisions for tele-x or wide-x lenses because of the difficulties depicted above. This is sad. In my mind, lens front filter threads - as seen on SLR lenses - is all that is needed to resolve this quandary. Possibly the issue with lens front threads is allowing the opportunity for attaching excessive weight to the front of the lens barrel - I don't know. For me, the use of 1 or 2 filters is necessary. Certainly, the wieght of 2 filters is not excessive weight.
Lack of lens front filtering is probably a stopper for me and this camera. I encourage any of you to chime in with your opinion about these issues. In the meantime, I am researching possible modifications and/or retro-fits to achieve my goal. For now, I will persue a modification that will allow using the included lens cap, etc. (with small extension rings in the body barrel, if necessary. Hopefully the body barrel is threaded!). I have no desire to use an adaptor ring with set screws. I HATE set scews! Thanks, everyone.
Bill :o
Lens Mate?
Hi Bill, please email/call Lens Mate (lensmateonline.com) to enquire if they have an adapter for this camera. I bought something from them before for a different camera. Good luck.
I guess the preview is all we will be showing here!
Since the HX1 is in stock and other review sites have posted thier final review, there really is no point in us doing the final review here. Buy and see I suppose!
Carl
In stock? Where?
In stock? Where?
Amazon.com
Carl
Sure the reviews are in but...
Sure the reviews are in, but take them with a grain of salt, maybe even a big lump. On DP review they gave the DSC-Hx1 only a reccomended rating, the same as the Canon SX1-IS. The canon camera has ISO problems at ISO80 and above(!!) whereas there was no mention of those types of problems at lower ISOs on the Sony camera. ISO is not the only parameter for image quality, but noise can ruin everything else. I am no expert on the matter, but it seems that it is a lot easier to get a high mark with a Canon or Nikon label than a Sony label. It seems the sony lost points dubiously on many minor issues. Just my 2 cents.
Dpreview did at least seem
Dpreview did at least seem impressed by the panoramic mode. Sony should have made RAW an option.